3/3/2023 0 Comments Fotomagico 4.5 re![]() But I was wondering what your approach was to your photos in general. Johnathon Shell wrote to us at to ask: I take most of photos on manual and usually do a good job about getting everything right eventually. Question Four – Shooting Approach & Decision Process As for how it works, it basically just talks to the flash using a remote communications protocol just as if it were in the hot shoe. Generally having the flash closer to the subject the softer it will be. Scott: You put it where you want to put it depending upon how you want to light your subject. One option for enlarging prints is to use Genuine Fractals 2 from onOne Software.īrian Downs writes: You always preach ‘Take the flash off the camera’, but once I have it off, how do I decide where to put it? Should I always place it nearer to the subject than myself, and how does the camera and flash determine power output when using ETTL flashes like the Canon 580 EXII? The best practice is to output to what your printer is going to output. Scott: Re sampling and interpolation basically means guessing. If you try to go from 300-600 for example, the program has to guess how to fill in the pixels to make the image larger and you’ll get a softer image. Mark Feliciano wrote to us to ask: Wonder if you could explain why we should avoid re sampling when we resize and image?įred: If you’re going to resample, it’s best to go down rather than up. Question Two – Resizing Images & Re sampling On a little side note, you can’t have a 1.2 lens for a Nikon because the mounts will never be wide enough. In the movie business they use a tape measure and sometimes that is the best way to do it. Experiment with different f-stops and when shooting a portrait, I focus on their eyes. 2.8, the larger the aperture and the more shallow the depth of field will be). You control it with your distance to the subject and your f-stop. Any hints?įred: Shallow DOF is the reason why people by these lenses to throw the background out of focus and get your subject to pop – you just have to learn how to control it. Question One – Tips for Dealing with a Shallow Depth of I just got a great 50mm AF-S for my D90,but I find it a bit difficult to use (very shallow DoF!). This week we are starting things off with a question about tips for working with a new 50mm lens. NOTE: We were having some Skype issues while recording this episode so it’s not perfect but it’s good enough. Thanks to Geoff Smith, the massively-talented musician who created our new custom open for the show. Thanks.ĭirect download – Listen to this episode here. We’d prefer you subscribe via iTunes because it helps elevate our show on their list – that in turn lets more people find the show, but if you don’t have the free iTunes client or want to use iTunes, here’s our NON-iTunes feed. You can subscribe through iTunes free of charge at (Opens the iTunes App) If for some reason it doesn’t show up in your copy of iTunes, please refresh your feeds. Special guest host – Frederick Van Johnson ![]() THE DOWNLOADS MAY GO SLOWLY BUT THEY WILL FINISH. This fully-featured word processor gives you complete control over manuscripts and screenplays, giving you elite annotation power, high-level story viewing, and many more tools to make writing complex projects a breeze.PLEASE BE PATIENT – OUR SERVERS SEE LARGE LOADS ON PUBLISHING DAYS. Storyist is the only do-it-all writing platform designed specifically for fiction writers and optimized to be an incredibly powerful word processor on both desktop and mobile platforms.
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